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  François-Xavier Féron. Composer, c’est créer un environnement’ : l’empreinte écologique dans l’œuvre de Stefano Gervasoni. 2022. ⟨halshs-03918250⟩
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  François-Xavier Féron. ‘There is beauty in ruins, and hope in destruction’ : Fallings pour shō (et u), alto et violoncelle de Daryl Jamieson. Circuit : musiques contemporaines, 2022, L’orgue à bouche entre Extrême-Orient et Occident. L’invention d’un répertoire contemporain, 32 (1), pp.97-110. ⟨10.7202/1088788ar⟩. ⟨halshs-03507709⟩
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  François-Xavier Féron, Lin-Ni Liao. Introduction. L’orgue à bouche, un instrument ancestral sous le prisme de l’interdisciplinarité scientifique. Circuit : musiques contemporaines, 2022, L’orgue à bouche entre Extrême-Orient et Occident: L’invention d’un répertoire contemporain, 32 (1), pp.9-16. ⟨halshs-03918209⟩
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  François-Xavier Féron. La composition de l’écoute, Denis Dufour entretiens avec Vincent Isnard. La composition de l’écoute. Denis Dufour, entretiens avec Vincent Isnard, MF, pp.213-224, 2021, 978-2-37804-038-3. ⟨hal-03495147⟩
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  Pierre Carré. Méthodes numériques d'inspiration géométrique pour la synthèse sonore par modèle physique : application à un modèle de corde géométriquement exact. Mécanique [physics]. Sorbonne Université, 2021. Français. ⟨NNT : 2021SORUS353⟩. ⟨tel-03910301⟩
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  Loïc Forma, Nicolas Wilkie-Chancellier, Sandie Le Conte, Henri Boutin, Marguerite Jossic. Experimental design of an active vibration control device used to protect cultural heritage objects. Inter-Noise 2022, Aug 2022, Glasgow, United Kingdom. ⟨hal-03856571⟩
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  Moreno Andreatta. Morricone ou la fabrique artisanale des tubes entre inspiration et techniques savantes. Chloé Huvet. Ennio Morricone. Et pour quelques notes de plus…, Editions universitaires de Dijon, 2022, Musiques, 978-2-36441-452-5. ⟨hal-03872887⟩
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  Judy Najnudel. Power-Balanced Modeling of Nonlinear Electronic Components and Circuits for Audio Effects. Modeling and Simulation. Sorbonne Université, 2022. English. ⟨NNT : 2022SORUS223⟩. ⟨tel-03863726⟩
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  Annelies Fryberger. The fuzzy middle. Uncertainty, indifference, and disagreement in the evaluation of contemporary art music.. Poetics, In press. ⟨hal-02022666⟩
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